Jun 04, 2022, 16:44 pm
(This post was last modified: Jun 04, 2022, 19:07 pm by inelegy. Edited 2 times in total.)
Generally speaking in most fandoms I think there are two types of "serious" (as opposed to casual) fan. One is the "True Believer" who will unquestioningly accept and champion anything that the brand releases. The other is a more "Discerning Fan" who will have an arbitrary line beyond which the brand has moved too far from producing the thing that fan originally came there for and they no longer find it satisfying or interesting.
True Believers can be closely compared to sports fans, although the exist across all entertainments. If you're the fan of a team, it doesn't matter who is playing for that team in order for you to enjoy it. There are lots of people who'll fill stadiums to see their brand. There are plenty of people, apparently, who'll drink down any Star Wars or Star Trek -branded science fiction product no matter what. This is not an indictment of these people, but not everyone is wired that way.
My go-to comparison rubric for Discerning Fans is rock bands. As an example, for me, one of my all-time favorite bands is coincidentally MST3K favorite Yes. As a Yes fan, I have a sweet spot where I believe they were producing their best work and had the best people involved. Time went by, band members aged, left, came back, left again, are replaced by new people, and (in some cases) died. Through this decades-long process the band/brand known as Yes was producing a product that I no longer had much interest in. It still looked a bit like Yes, it sounds a bit like Yes, the music did Yessy things from time to time, but it didn't feel like Yes. There are True Believers who'll say that they're as good as ever, but that simply is not the case for me.
Joel's version of MST3K has kind of gotten to that point. It is MST3K-branded product, to be sure, but it doesn't feel quite right to me any more. This is completely subjective, but for me he has lost or forgotten what it was that made MST3K resonate with me. There is a calculating, cooked in a lab quality to it that I find off-putting. It looks a lot like MST, it sounds a bit like MST, but it doesn't feel right any more . . . it feels like Mike Love dragging around some ersatz version of the Beach Boys. "Feel" is a subjective and arbitrary thing, but fans are allowed to be fans and have an aesthetic beyond which they can't continue. I'm still a fan of MST (and, for that matter, Yes) because there is a deep back catalog into which I can always dive in and enjoy if the mood strikes.
OTOH, RiffTrax (particularly B&MJ's riffs) and The Mads still have much of the original MST3K magic present, and I find them preferable to the product currently branding itself as MST3K. These still have a handmade and earnest quality that always existed in "classic" MST that I'm having difficulty detecting in Joel's recent iterations of the product.
YMMV.
True Believers can be closely compared to sports fans, although the exist across all entertainments. If you're the fan of a team, it doesn't matter who is playing for that team in order for you to enjoy it. There are lots of people who'll fill stadiums to see their brand. There are plenty of people, apparently, who'll drink down any Star Wars or Star Trek -branded science fiction product no matter what. This is not an indictment of these people, but not everyone is wired that way.
My go-to comparison rubric for Discerning Fans is rock bands. As an example, for me, one of my all-time favorite bands is coincidentally MST3K favorite Yes. As a Yes fan, I have a sweet spot where I believe they were producing their best work and had the best people involved. Time went by, band members aged, left, came back, left again, are replaced by new people, and (in some cases) died. Through this decades-long process the band/brand known as Yes was producing a product that I no longer had much interest in. It still looked a bit like Yes, it sounds a bit like Yes, the music did Yessy things from time to time, but it didn't feel like Yes. There are True Believers who'll say that they're as good as ever, but that simply is not the case for me.
Joel's version of MST3K has kind of gotten to that point. It is MST3K-branded product, to be sure, but it doesn't feel quite right to me any more. This is completely subjective, but for me he has lost or forgotten what it was that made MST3K resonate with me. There is a calculating, cooked in a lab quality to it that I find off-putting. It looks a lot like MST, it sounds a bit like MST, but it doesn't feel right any more . . . it feels like Mike Love dragging around some ersatz version of the Beach Boys. "Feel" is a subjective and arbitrary thing, but fans are allowed to be fans and have an aesthetic beyond which they can't continue. I'm still a fan of MST (and, for that matter, Yes) because there is a deep back catalog into which I can always dive in and enjoy if the mood strikes.
OTOH, RiffTrax (particularly B&MJ's riffs) and The Mads still have much of the original MST3K magic present, and I find them preferable to the product currently branding itself as MST3K. These still have a handmade and earnest quality that always existed in "classic" MST that I'm having difficulty detecting in Joel's recent iterations of the product.
YMMV.