Woke movies are a flop
#1
https://www.breitbart.com/entertainment/...fice-flop/  

also i recently watched Downsizing https://www.imdb.com/title/tt1389072/?re...lmg_act_15  including  matt damon massaging the stump of an asian lady who lost a leg etc ! the movie was terrible 

what other Woke films should we avoid ?

https://www.urbandictionary.com/define.php?term=woke
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#2
Personally I wouldn't take any advice from Mr. Breitbart, and I would advice anyone reading this to avoid his outlet.

The article linked to in the OP can be summed up to this: "The liars in the entertainment media" are forcing us to watch female protagonists without letting us see their tits and ass. Boo fucking hoo Rolleyes

As for "Woketard" (in the articles headline) or "wokeism", I find it to be a vaguely defined yet heavily laden label akin to femnazi, magapede and other such political slurs used in the trenches of pop-cultural warfare.

If what you are looking for is movies that doesn't challenge status quo, they are a dime a dozen, on netflix too (female leads or not).

If what you are looking for is "counter propaganda" (assuming female leads not getting naked is propaganda), there's a bunch of tits and ass on google images (protip: disable safe search). And if porn doesn't cut it, you could google "Movies with non-simulated sex". Lars Von Trier is notorious for showing dick in pussy on the big screen and he got banned from Cannes for saying that he understood Hitler. Unfortunately(?) he is also an outspoken left wing / commie sympathizer, and most of his movies revolve around female leads and their emancipation or lack thereof.
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#3
What ill88eagle said.  Plus, despite all their whinging, the dittoheads have plenty of cineturds made for their own tribe.  A notable one from the days of my youth was Red Dawn, which evidentially is still something of cult classic for how "hard it owns the libs", or its unintended humor, depending on your political POV.  Contains C. Thomas Howell's most over-wrought performance on film, which is saying something.  In more recent times, there is the utterly wretched and unwatchable Atlas Shrugged trilogy, based upon the ponderous doorstop written by Russian-American novelist and cult leader Ayn Rand.  The most notable thing about these three cineturds is how they managed to lose assloads of cash despite their meager budgets being covered by a sugar daddy.
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#4
(Jan 10, 2022, 11:17 am)WW3hasstarted Wrote: https://www.breitbart.com/entertainment/...fice-flop/  

also i recently watched Downsizing https://www.imdb.com/title/tt1389072/?re...lmg_act_15  including  matt damon massaging the stump of an asian lady who lost a leg etc ! the movie was terrible 

what other Woke films should we avoid ?

https://www.urbandictionary.com/define.php?term=woke

Breitbart is literally a far right racist publication. Downsizing was an interesting film. Weren't you the guy who literally made a thread complaining about the new bond to be a black woman?
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#5
Here's a list of the bestest ever conservative movies: https://www.nationalreview.com/magazine/...ve-movies/ - some of them endorsed by the late señor Breitbart himself Wink

Red Dawn is there, but no Aynd Rand (I guess those movies really sucked). I am somewhat surprised to see Brazil there, but it just goes to show that you can't measure the quality of movies in terms wokeness or conservatism or whatever your flavor is.
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#6
Everybody movie is woke or has woke in it. From Female Detectives, inter racial couples, disabled people. lol . Ive seen movies where dad is white with black wife and his kids are straight up Black. Like they dont even look mixed. (Clickbait on Netflix for one) - classics all being remade with POC. Check out the new Cinderella where the fairy god mother is a black gay man and when Prince offers to marry her she literally responds "But what about my career"... like seriously


Its everywhere you look. Movies require it. Check the Oscars Requirements for nominations now. It has to be woke.

And pretty much anything on Netflix since one of its creators is Marc Randolph of the Bernays famiily.
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#7
(Nov 11, 2022, 13:54 pm)Hawk Wrote: Everybody movie is woke or has woke in it.

. . .

And pretty much anything on Netflix since one of its creators is Marc Randolph of the Bernays famiily.

 . . . because it's not a really real conspiracy theory unless you manage to shoehorn The Happy Merchant in there somewhere!

Disgusting.
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#8
pretty weird that theyr're at the end of every conspiracy theory. Yep, I agree.. DISGUSTING! LOL

WOKE requirements...   so be prepared to see it in literally every movie. 

https://www.oscars.org/news/academy-esta...ligibility

Posted:

Tuesday, September 8, 2020 - 21:00


Today, the Academy of Motion Picture Arts and Sciences announced new representation and inclusion standards for Oscars® eligibility in the Best Picture category, as part of its Academy Aperture 2025 initiative. The standards are designed to encourage equitable representation on and off screen in order to better reflect the diversity of the movie-going audience. Academy governors DeVon Franklin and Jim Gianopulos headed a task force to develop the standards that were created from a template inspired by the British Film Institute (BFI) Diversity Standards used for certain funding eligibility in the UK and eligibility in some categories of the British Academy of Film and Television (BAFTA) Awards, but were adapted to serve the specific needs of the Academy. The Academy also consulted with the Producers Guild of America (PGA), as it presently does for Oscars eligibility.

“The aperture must widen to reflect our diverse global population in both the creation of motion pictures and in the audiences who connect with them. The Academy is committed to playing a vital role in helping make this a reality,” said Academy President David Rubin and Academy CEO Dawn Hudson.  “We believe these inclusion standards will be a catalyst for long-lasting, essential change in our industry.”

For the 94th Oscars (2022) and 95th Oscars (2023), submitting a confidential Academy Inclusion Standards form will be required for Best Picture consideration, however meeting inclusion thresholds will not be required for eligibility in the Best Picture category until the 96th Oscars (2024).

For the 96th Oscars (2024), a film must meet TWO out of FOUR of the following standards to be deemed eligible:

STANDARD A:  ON-SCREEN REPRESENTATION, THEMES AND NARRATIVES
To achieve Standard A, the film must meet ONE of the following criteria:

A1. Lead or significant supporting actors

At least one of the lead actors or significant supporting actors is from an underrepresented racial or ethnic group.
• Asian
• Hispanic/Latinx
• Black/African American
• Indigenous/Native American/Alaskan Native
• Middle Eastern/North African
• Native Hawaiian or other Pacific Islander
• Other underrepresented race or ethnicity

A2. General ensemble cast

At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing

A3. Main storyline/subject matter

The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing


STANDARD B: CREATIVE LEADERSHIP AND PROJECT TEAM
To achieve Standard B, the film must meet ONE of the criteria below:

B1. Creative leadership and department heads

At least two of the following creative leadership positions and department heads—Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer—are from the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing

At least one of those positions must belong to the following underrepresented racial or ethnic group:
• Asian
• Hispanic/Latinx
• Black/African American
• Indigenous/Native American/Alaskan Native
• Middle Eastern/North African
• Native Hawaiian or other Pacific Islander
• Other underrepresented race or ethnicity

B2. Other key roles

At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc.

B3. Overall crew composition
At least 30% of the film’s crew is from the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing


STANDARD C:  INDUSTRY ACCESS AND OPPORTUNITIES
To achieve Standard C, the film must meet BOTH criteria below:

C1. Paid apprenticeship and internship opportunities

The film’s distribution or financing company has paid apprenticeships or internships that are from the following underrepresented groups and satisfy the criteria below:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing

The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing and publicity.

The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing and publicity.

C2. Training opportunities and skills development (crew)

The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing


STANDARD D: AUDIENCE DEVELOPMENT
To achieve Standard D, the film must meet the criterion below:

D1. Representation in marketing, publicity, and distribution


The studio and/or film company has multiple in-house senior executives from among the following underrepresented groups (must include individuals from underrepresented racial or ethnic groups) on their marketing, publicity, and/or distribution teams.
• Women
• Racial or ethnic group

Asian
Hispanic/Latinx
Black/African American
Indigenous/Native American/Alaskan Native
Middle Eastern/North African
Native Hawaiian or other Pacific Islander
Other underrepresented race or ethnicity
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing

All categories other than Best Picture will be held to their current eligibility requirements.  Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately.

Academy Aperture 2025 is the next phase of the Academy’s equity and inclusion initiative furthering the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community.

###

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.
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#9
(Nov 12, 2022, 16:01 pm)Hawk Wrote: pretty weird that theyr're at the end of every conspiracy theory. Yep, I agree.. DISGUSTING!  LOL

WOKE requirements...   so be prepared to see it in literally every movie. 

https://www.oscars.org/news/academy-esta...ligibility

Posted:   [tl;dr]

 . . . and yet, you very clearly implied that it was the Jews who invented wokeism as part of their supposed insidious plot to take over the world, or to get more baby blood to guzzle, or whatever.
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#10
The whole "woke" mentality makes me want to puke!
Woke movies and TV shows are a waste of time and woke documentaries are an abomination...
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