When Will The Motion Picture Academy Take Responsibility For All That Piracy The ...
#1
For the past few years, Hollywood and its friends have been very, very focused on trying to blame Google for their own failure to adapt to a changing business environment. This usually takes the form of ridiculous assertions about how Google can magically stop unauthorized access to copyrighted materials, combined with totally specious studies that try (and totally fail) to link Google to an increase in infringement. The RIAA and MPAA then insist that "something must be done" with that "something" usually being Google magically changing its search results and/or special laws that would make Google and other intermediaries somehow legally liable for such infringement. The key question that we see over and over again from the RIAA and MPAA is something along the lines of "when will Google 'take responsibility'?" for all that infringement.

However, with the not so surprising news that movies winning Oscar awards this past weekend saw a massive uptick in unauthorized access, a simple question needs to be asked: Why won't the Academy of Motion Pictures Arts and Sciences, the organization behind the Oscars, step up and take responsibility for its award show is clearly contributing to a massive uptick in infringement?

Quote: Perhaps it's not much of a surprise, but the day after the Oscar award ceremony the winning films are in high demand among pirates. The number of people sharing "12 Years A Slave" via BitTorrent tripled, and the number of "Gravity" downloads more than doubled.

With 7 Oscars Gravity was the big winner at the Academy Awards ceremony on Sunday evening. However, the Oscar for the best motion picture went to 12 years a Slave.

Obviously, I'm joking about my question above, but if the MPAAs of the world are going to run around blaming Google when the link to infringement there is tenuous at best, then shouldn't they be much more concerned with something like the Oscars, where the link between the event and infringement is so much more pronounced?

Of course, the proper response to both issues is that none of this matters if the movie studios put in place better business models that allowed them to capture revenue from the interest in those films, in a manner that viewers would most like, rather than leaving it open to alternative paths. But, apparently that's too difficult.


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